For the third consecutive year, I attended the notorious soiree for nocturnal, fanged creatures—the Endless Night Vampire Ball at the historic Globe Theatre in the City of Angels. If you’ve been following my blog for a while, you may have read my accounts of past years’ festivities. The event offers new forms of entertainment when it comes to town and making this occasion all the more memorable was that it was the first vampire ball of, not only 2020, but of the decade. Here’s a look at what transpired. Continue reading “Endless Night Los Angeles Vampire Ball 2020 Edition”
When it comes to matters of the flesh, society prefers to turn a blind eye. Even in this century, it’s remarkable how people can become uncomfortable with a conversation that addresses what pleases our bodies. Have you ever paused and asked yourself, “What arouses me and gives me pleasure? From what do I derive physical satisfaction?”
The Black Sheep Gallery in Burbank, California, begs these questions and more with its current exhibition, “Erotic.” The new art installation fittingly debuted Valentine’s Day weekend and the provocative event invited all in attendance to explore the depths of dark desire. Continue reading “An Erotic Evening at the Black Sheep Gallery”
He was ordained as a reverend into the Church of Satan by Anton Szandor LaVey in 1992, has placed curses on politicians and corporations, and caused media mayhem when, during his Apache Whiskey Rite as a political protest, he allowed himself to be anally penetrated by a woman wearing a harness with a bottle of Jack Daniel’s strapped to it. Continue reading “Steven Johnson Leyba’s “FIRE” Exhibit & Ritual at The Dark Art Emporium”
For his first West Coast solo exhibit, artist Blake Armstrong debuted “Morpheus,” a collection that delves into a dark, ethereal world that exists beyond consciousness. It’s only fitting that the opening reception coincided with the rise of the full moon on January 10th—a peak time to manifest dreams into waking reality. The series, which is named after the Greek god of sleep, invites onlookers to experience otherworldly visions and confront beings hidden in the deepest parts of our psyches. Continue reading “Blake Armstrong’s “Morpheus” Solo Exhibit at Lethal Amounts”
It’s officially the beginning of a new year and decade! The year 2019 was definitely one for the books. I discovered new places and experiences, obtained more forbidden knowledge and connected with many creative people. I’m excited to check out the dark adventures that await to share them with all of you.
This list is a work in progress and I’ll continue to add to it as I find out about more affairs. I hope to attend most and, if you’re in the area, let this serve as a fun, spooky guide of things to do while in and around Los Angeles. So, without further ado, here’s a look at upcoming Odd & Macabre Los Angeles Events in 2020. Continue reading “Odd & Macabre Los Angeles Events 2020”
“We are made of music and fire!”
This is part of the manifesto of fantasy metal band FIRA who hails from Hollywood, California. The group’s latest show at goth club Bar Sinister gave the crowd a dose of heavy beats mixed with vampiric whimsy. It was my first time seeing the band live and it was thrilling! Continue reading “Metal Band FIRA Ignites at Bar Sinister”
It’s gone down in history as one of the most controversial films of the 20th century and set the bar for the slasher genre. Upon release, “The Texas Chainsaw Massacre” was not only met with polarizing critical reviews but was also banned in more than six countries. From being described as “despicable” by one Los Angeles Times reporter to being said to possess “redeeming social merit” by Stephen King, there’s no doubt this horror movie elicits strong reactions from audiences, down to the present day.
To commemorate the 45th anniversary of the motion picture, House of Salem, in collaboration with Lethal Amounts in Los Angeles, California, debuted The Texas Chainsaw Museum this past weekend. The pop-up features hundreds of memorabilia and artifacts from the 1974 film, including many never-before-seen items—until now. Continue reading “House of Salem & Lethal Amounts Present The Texas Chainsaw Museum”
Recognized as one of the most haunted places in the world, The Queen Mary in Long Beach, California, is a ghost ship believed to be filled with phantom passengers. Master magician and apparitionist, Aiden Sinclair, invites the living to join him for an evening of spirit conjuring and paranormal activity aboard the vessel with his show Illusions of the Passed—if you’re willing to suspend your predisposed notions of reality. Continue reading “Aiden Sinclair Brings Illusions of the Passed to The Queen Mary”
The notorious shower scene—a pivotal moment in Alfred Hitchcock’s “Psycho” where Marion Crane is stabbed to death by a shadowed figure. The only thing more terrifying than the blood-splattered bathtub and close-up of the victim’s lifeless stare is the screeching of the strings as the knife repeatedly pierces her flesh. It’s “The Murder” by composer Bernard Herrmann and one of the most unforgettable instrumental scores to grace a horror film.
For 2019, as part of its annual Halloween tradition, LA Opera’s Off Grand presents “Psycho” at The Theatre at Ace Hotel. Off Grand is an extension of the opera company that showcases more experimental performances across the city. Making this event extra special is the live orchestra, conducted by Louis Lohraseb, that provides the soundtrack as the film plays on the silver screen. Continue reading “LA Opera’s Hitchcock Halloween with “Psycho” & Live Orchestra”
“To confront a person with his shadow is to show him his own light.” – Carl Jung
These words grace the opening pages of Brittany Markert’s photobook “In Rooms Volume 2 (2016-2017).” They play an essential part in not only grasping the photographer’s intention behind the “In Rooms” series, but also in how the spectator connects to it. Psychoanalysis, repression, female objectification, mental illness and eroticism are just a few of the themes explored.
Recently, Lethal Amounts gallery hosted a lecture and pop-up exhibit by the artist. On display was “In Rooms”—a three-installment collection dating from 2014 to the present. Formatted like a personal diary, it is set in chronological order and exposes Markert’s psychological and emotional states in progressive stages. During the presentation, guests were given an intimate glimpse inside her creative process and personal evolvement, as well as the opportunity to view her portfolio of work up close. Continue reading “Shadow Selves: “In Rooms” by Brittany Markert”